{"id":876,"date":"2018-01-21T18:04:06","date_gmt":"2018-01-21T17:04:06","guid":{"rendered":"http:\/\/albert-breier.de\/biografie\/"},"modified":"2024-02-20T17:02:49","modified_gmt":"2024-02-20T16:02:49","slug":"biography","status":"publish","type":"page","link":"https:\/\/albert-breier.de\/en\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Headline – Personally” _builder_version=”3.27.4″]<\/p>\n

Life and Work<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”ab-musik” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Headline – \u00dcber Albert Breier” _builder_version=”3.27.4″]<\/p>\n

About Albert Breier<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_4,1_4″ _builder_version=”3.25″][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Peter Graham” module_class=”ab-musik-ohne-audio” _builder_version=”3.27.4″]Peter Graham<\/p>\n

Music – Image – Poetry<\/h4>\n

[\/et_pb_text][et_pb_text admin_label=”Download Text – Peter Graham” _builder_version=”3.27.4″]Download<\/a>
\n[\/et_pb_text][et_pb_text admin_label=”Jaroslav \u0160\u0165astn\u00fd” module_class=”ab-musik-ohne-audio” _builder_version=”3.27.4″]Jaroslav \u0160tastn\u00fd<\/p>\n

Albert Breier and his understanding of the musical form<\/h4>\n

[\/et_pb_text][et_pb_text admin_label=”Download Text – Jaroslav \u0160\u0165astn\u00fd” _builder_version=”3.27.4″]Download<\/a>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/albert-breier.de\/wp-content\/uploads\/Albert-Breier-Portraet.jpg” alt=”Albert Breier – Schriftsteller und Komponist” title_text=”Albert Breier – Schriftsteller und Komponist” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Portr\u00e4t Albert Bremer” _builder_version=”3.23″ max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|desktop” module_alignment=”center”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|off” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Headline – Biografie” _builder_version=”3.27.4″]<\/p>\n

Biography<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”1961″ _builder_version=”3.27.4″]<\/p>\n

1961<\/h4>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”born at Paderborn ” _builder_version=”3.27.4″ text_orientation=”center”]<\/p>\n

born at Paderborn<\/i><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”1980 – 1987″ _builder_version=”3.27.4″]<\/p>\n

1980 – 1987<\/h4>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”student years …” _builder_version=”3.27.4″ text_orientation=”center”]student years<\/strong> in Cologne, Hamburg, L\u00fcbeck and Vienna<\/i>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”piano with Roland Keller” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]piano with Roland Keller<\/strong>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”composition with J\u00fcrg Baur” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]composition with J\u00fcrg Baur<\/strong>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”philosophy and musicology” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]philosophy & musicology<\/strong>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_2,1_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”pianist in concerts with music by Maurizio Kagel\u2019s pupils” _builder_version=”3.27.4″ text_orientation=”center”]Pianist in concerts with music by Maurizio Kagel\u2019s pupils.
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”attends the %22Darmst\u00e4dter Ferienkurse%22 (1984)” _builder_version=”3.27.4″ text_orientation=”center”]Attends the “Darmst\u00e4dter Ferienkurse” (1984).
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_2,1_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”since 1987″ _builder_version=”3.27.4″]<\/p>\n

since 1987<\/h4>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”freelance composer and pianist” _builder_version=”3.27.4″ text_orientation=”center”]Freelance composer and pianist.<\/strong><\/i>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”1987 – 1993″ _builder_version=”3.27.4″]<\/p>\n

1987 – 1993<\/h4>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Cologne” _builder_version=”3.27.4″ text_orientation=”center”]<\/p>\n

Cologne<\/i><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”piano” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]piano<\/strong>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”composition” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]composition<\/strong>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”philosophy & musicology” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]philosophy & musicology<\/strong>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_2,1_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”studies the work of Morton Feldman” _builder_version=”3.27.4″ text_orientation=”center”]Studies the work of Morton Feldman.
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Extensive study of classical Chinese painting …” _builder_version=”3.27.4″ text_orientation=”center”]Extensive study of classical Chinese painting, especially of its temporal structure. Connected with this more far-reaching thoughts about cultural theory.
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Compositions – Cologne” _builder_version=”3.27.4″ text_orientation=”center”]<\/p>\n

Compositions<\/strong>
\n“Verbundene Berge” for orchestra;
\n“Wege des Wanderers” for large chamber orchestra;
\nClarinet quintet;
\nPiano piece V;
\nSeven poems by Oskar Pastior for soprano and piano;
\nII. String quartet … <\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”1994 – 2014″ _builder_version=”3.27.4″]<\/p>\n

1994 – 2014<\/h4>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Potsdam \/ Berlin” _builder_version=”3.27.4″ text_orientation=”center”] <\/p>\n

Potsdam \/ Berlin<\/i><\/p>\n

 
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”piano” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]piano<\/strong>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”composition” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]composition<\/strong>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”philosophy & musicology” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]philosophy & musicology<\/strong>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Continuation of the study of 15th century …” _builder_version=”3.27.4″ text_orientation=”center”]Continuation of the study of 15th century vocal polyphony begun in Cologne. Becomes interested in the musical traditions of Russia and Georgia.
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”new manner of notation” _builder_version=”3.27.4″ text_orientation=”center”]Since 1998 develops and puts into practice a new manner of notation.
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Compositions – Potsdam \/ Berlin” _builder_version=”3.27.4″ text_orientation=”center”]<\/p>\n

Compositions<\/strong>
\nRequiem for 12-voice mixed choir a cappella;
\n“Feld und Leuchten” for chamber orchestra;
\nSonorous Forest of Remembrance for 18 string instruments, bells and Glockenspiel;
\nComposition for 3 flutes, 3 clarinets and 3 horns;
\nString sextet;
\nPiano quartet;
\nTrio for oboe, cello and piano;
\nDuo I and II for cello and piano;
\nPiano piece VI <\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”piano” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]piano<\/strong>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”composition” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]composition<\/strong>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”philosophy & musicology” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]philosophy & musicology<\/strong>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_2,1_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Concerts in Berlin, activities as pianist …” _builder_version=”3.27.4″ text_orientation=”center”]Concerts in Berlin, activities as pianist, release of CDs at NCA and edition laura. CD production of the work Der Weg und die Zeit at Radio Berlin-Brandenburg, released in 2007.
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”active as writer …” _builder_version=”3.27.4″ text_orientation=”center”]Since 2000 increasingly active as writer:<\/strong><\/em>
\nPublication of a comprehensive comparative study on Chinese painting and European music “Die Zeit des Sehens und der Raum des H\u00f6rens. Ein Versuch \u00fcber chinesische Malerei und europ\u00e4ische Musik” (Publisher: Verlag J.B.Metzler 2002).
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Concerts and lectures among others …” _builder_version=”3.27.4″ text_orientation=”center”]Lectures at Universit\u00e4t der K\u00fcnste Berlin:<\/strong><\/em>
\nConcerts and lectures among others at the Hochschule f\u00fcr Musik “Hans Eisler” Berlin, at the Goethe-Institut Prague, at the Tage f\u00fcr “Neue Musik Darmstadt”.
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”piano” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]piano<\/strong>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”composition” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]composition<\/strong>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”philosophy & musicology” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]philosophy & musicology<\/strong>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Broadcasts about person and work” _builder_version=”3.27.4″ text_orientation=”center”]Broadcasts about person and work.
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Compositions – Potsdam \/ Berlin” _builder_version=”3.27.4″ text_orientation=”center”]<\/p>\n

Compositions<\/strong>
\nMass for 24 voice mixed choir a cappella;
\nLarge Landscape I and III for orchestra;
\n“Licht im Vor\u00fcbergehen” for orchestra;
\n“Nebelatem” for orchestra;
\n“Der Weg und die Zeit” for sextet;
\nIV. String quartet;
\nString trio<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Projected books …” _builder_version=”3.27.4″ text_orientation=”center”]Projected books:<\/strong><\/em>
\ncomprehensive studies on German poetry of the first half of the 20th century; on the role of mathematics in occidental culture etc. Essays on art theory published in several magazines. Reviews.
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Villa Massimo” _builder_version=”3.27.4″ text_orientation=”center”]Scholar at the Deutsche Akademie Villa Massimo at Casa Baldi (2013).<\/strong><\/em>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”since 2014″ _builder_version=”3.27.4″]<\/p>\n

since 2014<\/h4>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Dresden \/ Berlin” _builder_version=”4.9.0″ text_orientation=”center” hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

Dresden (until 2019) and Berlin<\/i><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”piano” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]piano<\/strong>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”composition” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]composition<\/strong>
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”philosophy & musicology” _builder_version=”3.27.4″ text_font_size=”12px” text_orientation=”center” custom_padding=”4px|4px|4px|4px” border_radii=”on|3px|3px|3px|3px” border_width_all=”3px”]philosophy & musicology<\/strong>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Publications …” _builder_version=”3.27.4″ text_orientation=”center”]Publications: “Zahl und Moral. Ein Entwurf” (publisher: Passagen Verlag, Wien 2014); “Walter Zimmermann. Nomade in den Zeiten” (publisher: Wolke Verlag, Hofheim 2014).
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Compositions – Dresden \/ Berlin” _builder_version=”3.27.4″ text_orientation=”center”]<\/p>\n

Compositions<\/strong>
\n“Blick auf die schwebende Stadt” for orchestra;
\nTrio for viola, horn and harp;
\nStabat mater for soprano and cello<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text disabled_on=”on|on|on” admin_label=”ACHTUNG – HIER UNTEN BIOGRAFIE F\u00dcR TABLET \/ MOBILTELEFON” _builder_version=”3.27.4″ disabled=”on”][\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”||on” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Headline – Biografie” _builder_version=”3.27.4″]<\/p>\n

Biografie<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”1961″ _builder_version=”3.27.4″]1961<\/strong><\/span>born at Paderborn<\/strong>
\n[\/et_pb_text][et_pb_text admin_label=”1980 – 1987″ _builder_version=”3.27.4″]1980 – 1987<\/strong><\/span> Student years in Cologne, Hamburg, L\u00fcbeck and Vienna.<\/strong>
\n[\/et_pb_text][et_pb_text admin_label=”1980 – 1987 Aufz\u00e4hlung” _builder_version=”3.27.4″]<\/p>\n

    \n
  • Piano with Roland Keller (pianist in concerts with music by Maurizio Kagel\u2019s pupils).<\/li>\n
  • Composition with J\u00fcrg Baur (attends Darmst\u00e4dter Ferienkursen 1984).<\/li>\n
  • Philosophy and musicology<\/li>\n<\/ul>\n

    [\/et_pb_text][et_pb_text admin_label=”seit 1987″ _builder_version=”3.27.4″]seit 1987<\/strong><\/span> freelance composer and pianist<\/strong>
    \n[\/et_pb_text][et_pb_text admin_label=”1987 – 1993″ _builder_version=”3.27.4″]1987 – 1993<\/strong><\/span> Cologne<\/strong>
    \n[\/et_pb_text][et_pb_text admin_label=”1987 – 1993 Aufz\u00e4hlung” _builder_version=”3.27.4″]<\/p>\n

      \n
    • Studies the work of Morton Feldman.<\/li>\n
    • Extensive study of classical Chinese painting, especially of its temporal structure. Connected with this more far-reaching thoughts about cultural theory.<\/li>\n<\/ul>\n

      [\/et_pb_text][et_pb_text admin_label=”Compositions – Cologne” _builder_version=”3.27.4″]<\/p>\n

      Compositions<\/strong>
      \n“Verbundene Berge” for orchestra;
      \n“Wege des Wanderers” for large chamber orchestra;
      \nClarinet quintet;
      \nPiano piece V;
      \nSeven poems by Oskar Pastior for soprano and piano;
      \nII. String quartet<\/em><\/p>\n

      [\/et_pb_text][et_pb_text admin_label=”1994 – 2013″ _builder_version=”3.27.4″]1994 – 2014<\/strong><\/span> Potsdam \/ Berlin<\/strong>
      \n[\/et_pb_text][et_pb_text admin_label=”1994 – 2013 Aufz\u00e4hlung” _builder_version=”3.27.4″]<\/p>\n

        \n
      • Continuation of the study of 15th century vocal polyphony begun in Cologne. Becomes interested in the musical traditions of Russia and Georgia.<\/li>\n
      • Since 1998 develops and puts into practice a new manner of notation.<\/li>\n<\/ul>\n

        [\/et_pb_text][et_pb_text admin_label=”Compositions – Potsdam \/ Berlin” _builder_version=”3.27.4″]<\/p>\n

        Compositions<\/strong>
        \nRequiem for 12-voice mixed choir a cappella;
        \n“Feld und Leuchten” for chamber orchestra;
        \nSonorous Forest of Remembrance for 18 string instruments, bells and Glockenspiel;
        \nComposition for 3 flutes, 3 clarinets and 3 horns;
        \nString sextet;
        \nPiano quartet;
        \nTrio for oboe, cello and piano;
        \nDuo I and II for cello and piano;
        \nPiano piece VI<\/em><\/p>\n

        [\/et_pb_text][et_pb_text admin_label=”1994 – 2013 Fortsetzung Aufz\u00e4hlung” _builder_version=”3.27.4″]<\/p>\n

          \n
        • Concerts in Berlin, activities as pianist, release of CDs at NCA and edition laura. CD production of the work Der Weg und die Zeit at Radio Berlin-Brandenburg, released in 2007.<\/li>\n
        • Since 2000 increasingly active as writer: Publication of a comprehensive comparative study on Chinese painting and European music \u201cDie Zeit des Sehens und der Raum des H\u00f6rens. Ein Versuch \u00fcber chinesische Malerei und europ\u00e4ische Musik\u201d (Publisher: Verlag J.B.Metzler 2002).<\/li>\n
        • Lectures at Universit\u00e4t der K\u00fcnste Berlin.<\/li>\n
        • Concerts and lectures among others at the Hochschule f\u00fcr Musik \u201cHans Eisler\u201d Berlin, at the Goethe-Institut Prague, at the “Tage f\u00fcr Neue Musik Darmstadt”.<\/li>\n
        • Broadcasts about person and work.<\/li>\n<\/ul>\n

          [\/et_pb_text][et_pb_text admin_label=”Compositions – Potsdam \/ Berlin” _builder_version=”3.27.4″]<\/p>\n

          Compositions<\/strong>
          \nMass for 24 voice mixed choir a cappella;
          \nLarge Landscape I and III for orchestra;
          \n“Licht im Vor\u00fcbergehen” for orchestra;
          \n“Nebelatem” for orchestra;
          \n“Der Weg und die Zeit” for sextet;
          \nIV. String quartet;
          \nString trio<\/em><\/p>\n

          [\/et_pb_text][et_pb_text admin_label=”1994 – 2013 Fortsetzung Aufz\u00e4hlung” _builder_version=”3.27.4″]<\/p>\n

            \n
          • Projected books: comprehensive studies on German poetry of the first half of the 20th century; on the role of mathematics in occidental culture etc.<\/li>\n
          • Reviews and essays on art theory published in several magazines.<\/li>\n
          • Scholar at the Deutsche Akademie Villa Massimo at Casa Baldi (2013).<\/li>\n<\/ul>\n

            [\/et_pb_text][et_pb_text admin_label=”1994 – 2013″ _builder_version=”4.9.0″ hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

            Seit 2014<\/strong><\/span> Dresden (until 2019) and Berlin<\/strong><\/p>\n

            [\/et_pb_text][et_pb_text admin_label=”1994 – 2013 – Aufz\u00e4hlung” _builder_version=”4.9.0″ hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

              \n
            • Publications: “Zahl und Moral. Ein Entwurf” (publisher: Passagen Verlag, Wien 2014); “Walter Zimmermann. Nomade in den Zeiten” (publisher: Wolke Verlag, Hofheim 2014).<\/li>\n
            • In Progress: Book about Leos Jan\u00e1cek<\/li>\n<\/ul>\n

              [\/et_pb_text][et_pb_text admin_label=”Compositions – Dresden \/ Berlin” _builder_version=”4.9.0″ hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

              Compositions<\/strong>
              “Blick auf die schwebende Stadt” for orchestra;
              Trio for viola, horn and harp;
              “Stabat mater” for soprano and cello;
              “Himmelsstufen” for flute, clarinet, violin, viola, cello and percussion;
              “Chant d’en haut” for flute, clarinet and violin;
              “Salve Regina” for soprano and cello;
              “INNSBRUCK” for alto and string orchestra
              “Landscape III” for orchestra
              etc.
              <\/em><\/p>\n

              [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

              [et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Headline – Personally” _builder_version=”3.27.4″] Life and Work [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”ab-musik” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Headline – \u00dcber Albert Breier” _builder_version=”3.27.4″] About Albert Breier [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_4,1_4″ _builder_version=”3.25″][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Peter Graham” module_class=”ab-musik-ohne-audio” _builder_version=”3.27.4″]Peter Graham Music – Image – […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-876","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/pages\/876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/comments?post=876"}],"version-history":[{"count":2,"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/pages\/876\/revisions"}],"predecessor-version":[{"id":2083,"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/pages\/876\/revisions\/2083"}],"wp:attachment":[{"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/media?parent=876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}