[et_pb_section fb_built=”1″ module_id=”ab-musik” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Headline – CDs” _builder_version=”3.27.4″]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”ab-produkt” _builder_version=”3.22″][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/albert-breier.de\/media\/produkte\/CD01-02-Breier.jpg” show_in_lightbox=”on” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Bild – CD01 \/ CD02″ _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ admin_label=”Zeile” _builder_version=”3.25″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Titel \/ Metadaten – CD01 \/ CD02″ module_class=”ab-kuenstler-titel” _builder_version=”3.27.4″]Albert Breier<\/p>\n
Albert Breier (Klavier)
\n[\/et_pb_text][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Produktnummer \/ Preis – CD01 \/ CD02″ module_class=”ab-preis” _builder_version=”3.27.4″]CD 01 \/ CD 02<\/p>\n
[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner admin_label=”Zeile” _builder_version=”3.25″][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_toggle title=”CD Kritik” admin_label=”Produktdetails \/ Rezensionen – CD01 \/ CD02″ _builder_version=”3.0.95″]Die Reihe der sechs Klavierst\u00fccke (1983 bis 1996) bildet eine h\u00f6chst abwechslungs- und kontrastreiche Folge, in der ruhige Klangstudien ebenso wie virtuoses pianistisches Feuerwerk ihren Platz finden. Obwohl sich in ihnen verschiedenste stilistische Einfl\u00fcsse widerspiegeln, lassen sie sich aber doch als Zyklus auffassen. Im abschlie\u00dfenden Klavierst\u00fcck VI, dem l\u00e4ngsten und gewichtigsten, finden sich – schattenhaft und weit entfernt – Ankl\u00e4nge an die anderen St\u00fccke der Reihe.<\/p>\n
In: Positionen 56, Berlin, August 2003<\/strong><\/p>\n \u00dcberraschend vielseitig erweisen sich die sechs Klavierst\u00fccke von Albert Breier aus den Jahren 1983-1996, die auf einer Doppel-CD bei edition laura erschienen sind. Kennzeichnend f\u00fcr diese Musik ist ein subtiles Aush\u00f6ren des Klangraumes, das immer wieder von anderen strukturellen Voraussetzungen ausgeht. In ihrer Wirkung sehr konzentriert, vermitteln die Klangfaltungen der St\u00fccke h\u00e4ufig einen Eindruck von schwebender Leichtigkeit. Adelheid Schloemann (Violoncello) [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner admin_label=”Zeile” _builder_version=”3.25″][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_toggle title=”\u00dcber das Werk” admin_label=”Produktdetails \/ Rezensionen – CD03″ _builder_version=”3.0.95″]Die formale Anlage dieses gut 50 Minuten dauernden, fast durchwegs leise gehaltenen Werks (1998) ist sehr frei. Es herrschen nicht die Prinzipien des Kontrasts und der Wiederholung, sondern die des Zeitflusses und der Erinnerung. Es handelt sich nicht um Form als Architektur; nicht nur dem Raum, sondern auch der Zeit soll ihr Recht gegeben werden. [\/et_pb_text][et_pb_text admin_label=”Titel \/ Metadaten – CD04″ module_class=”ab-kuenstler-titel” _builder_version=”3.27.4″]Morton Feldman<\/p>\n Albert Breier (Klavier) [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner admin_label=”Zeile” _builder_version=”3.25″][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_toggle title=”CD Details” admin_label=”Produktdetails \/ Rezensionen – CD04″ _builder_version=”3.0.95″]Die Symphonie Mahlers und das Klavierst\u00fcck Feldmans markieren in vieler Hinsicht Anfangs- und Endpunkt des 20. Jahrhunderts der Musik. Die Klavierfassung von Mahlers f\u00fcr riesiges Orchester gesetzten Symphonie betont den Charakter des Klaviers als einer von einem Einzelnen zu bet\u00e4tigender Universalmaschine. Feldmans Werk ist dagegen nicht f\u00fcr eine Universalmaschine geschrieben, sondern f\u00fcr ein spezifisches Instrument, das einzigartige Klavier: das “Piano”. Albert Breier (Klavier) [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner admin_label=”Zeile” _builder_version=”3.25″][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_toggle title=”CD Details” admin_label=”Produktdetails \/ Rezensionen – CD05″ _builder_version=”3.0.95″]Die zweite H\u00e4lfte des 16. und das fr\u00fche 17. Jahrhundert sind die Glanzzeit der englischen Musik. Die Pavanen, Galliarden und Fantasien von Byrd und Gibbons sind musikalische Formen, die es an Ausdruckskraft und Gestaltenvielfalt m\u00fchelos mit den Fugen und Sonaten sp\u00e4terer Jahrhunderte aufnehmen k\u00f6nnen.<\/p>\n Wie die Musik von Byrd und Gibbons zur Zeit ihrer Entstehung “wirklich” geklungen hat, ist heute unm\u00f6glich zu wissen. Ihre Neuartigkeit und Zukunftstr\u00e4chtigkeit rechtfertigt aber, sie auf dem modernen Fl\u00fcgel zu spielen. Dieses Instrument hat \u00fcberdies gegen\u00fcber seinen Vorl\u00e4ufern zwei entscheidende Vorteile: sein l\u00e4nger weiterklingender Ton macht eine kantable Spielweise m\u00f6glich; durch seine gr\u00f6\u00dfere dynamische Differenzierungsf\u00e4higkeit ist das subtile Stimmengeflecht dieser Kompositionen plastisch darstellbar. Albert Breier (Klavier) [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner admin_label=”Zeile” _builder_version=”3.25″][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_toggle title=”CD Details” admin_label=”Produktdetails \/ Rezensionen – CD06″ _builder_version=”3.0.95″]Wenn man eine der Temperamentenlehre folgende Zuordnung der Komponisten vorn\u00e4hme, w\u00e4re Froberger zu den melancholischen Meistern zu rechnen. Es erweist sich aber als unrichtig, der Melancholie allein morbiden, retrospektiven Charakter zu unterstellen; im Zustand der Melancholie werden in Wahrheit ungeahnte Kr\u00e4fte frei, bilden sich zukunftstr\u00e4chtige Visionen.<\/p>\n Wie die Musik von Froberger zur Zeit ihrer Entstehung “wirklich” geklungen hat, ist heute unm\u00f6glich zu wissen. Ihre Neuartigkeit und Zukunftstr\u00e4chtigkeit rechtfertigt aber, sie auf dem modernen Fl\u00fcgel zu spielen. Dieses Instrument hat \u00fcberdies gegen\u00fcber seinen Vorl\u00e4ufern zwei entscheidende Vorteile: sein l\u00e4nger weiterklingender Ton macht eine kantable Spielweise m\u00f6glich; durch seine gr\u00f6\u00dfere dynamische Differenzierungsf\u00e4higkeit ist das subtile Stimmengeflecht dieser Kompositionen plastisch darstellbar. Albert Breier (Klavier) [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner admin_label=”Zeile” _builder_version=”3.25″][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_toggle title=”CD Details” admin_label=”Produktdetails \/ Rezensionen – CD07″ _builder_version=”3.0.95″]Diese CD ist zusammengestellt aus Aufnahmen der CDs 05 und 06<\/strong>. Sie bringt einige der sch\u00f6nsten Werke von Byrd, Gibbons und Froberger in eine kontrastreiche durchkomponierte Abfolge. Ensemble Konvergence – Matej Vlk und Irena Stochlov\u00e1 (Violine), Ondrej Stochl (Viola), Helena Velick\u00e1 (Violoncello)<\/p>\n Gudrun Reschke (Oboe), Adelheid Schloemann (Violoncello), Albert Breier (Klavier)<\/p>\n Stefano Mollo und Kirsten Harms (Violine), Albert Breier (Klavier) [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner admin_label=”Zeile” _builder_version=”3.25″][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_toggle title=”CD Details” admin_label=”Produktdetails \/ Rezensionen – CD08″ _builder_version=”3.0.95″]Das vierte Streichquartett ist ein lyrisches St\u00fcck: ein Versuch, die Zeit selbst als Melodie zu h\u00f6ren. Auch im Trio f\u00fcr Oboe, Violoncello und Klavier herrschen nicht die Prinzipien von Kontrast und Wiederholung, sondern die des Zeitflusses und der Erinnerung. Das Trio f\u00fcr zwei Violinen und Klavier beginnt mit einem Melodiefragment, in dem sich eine alte Welt nur kurz zeigt, um sofort zu versinken. Auf vergeblichen Wegen wird immer wieder versucht sie zu erreichen. Trio Coriolis Ensemble Konvergence [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner admin_label=”Zeile” _builder_version=”3.25″][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_toggle title=”CD Details” admin_label=”Produktdetails \/ Rezensionen – CD09″ _builder_version=”3.0.95″]Streichtrios sind sehr viel seltener als Streichquartette. Der Unterschied zwischen Dreistimmigkeit und Vierstimmigkeit ist satztechnisch au\u00dferordentlich gro\u00df; bei zahlreichen Kompositionen f\u00fcr Streichtrio dr\u00e4ngt sich das Gef\u00fchl des “zu wenig”, einer nicht beabsichtigen D\u00fcnnheit auf. Eine M\u00f6glichkeit, dagegen anzugehen, ist, die Einzelstimmen so beweglich wie m\u00f6glich zu halten, so da\u00df etwa der Cellopart sich gleichsam in zwei oder sogar drei lagenm\u00e4\u00dfig unterschiedene Stimmen aufspaltet. Das erfordert von den Interpreten betr\u00e4chtliche Virtuosit\u00e4t; aber schon die Meisterst\u00fccke der Gattung, die Trios von Mozart und Sch\u00f6nberg, gehen bis an die Grenzen der Ausf\u00fchrbarkeit. [\/et_pb_text][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Produktnummer \/ Preis – CD10″ module_class=”ab-preis” _builder_version=”3.27.4″]CD 10<\/p>\n [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner admin_label=”Zeile” _builder_version=”3.25″][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_toggle title=”CD Details” admin_label=”Produktdetails \/ Rezensionen – CD10″ _builder_version=”3.0.95″]Als Morton Feldman 1987 starb, wurde mir (Albert Breier) in der Trauer \u00fcber seinen Tod erst ganz bewu\u00dft, wie viel ich ihm als Komponist verdankte. Nachdem ich aufgrund zumeist unerfreulicher Studienerfahrungen schon die Hoffnung aufgegeben hatte, jemals einen guten Kompositionslehrer zu finden, schien Feldman mir Mitte der 80er Jahre der Einzige zu sein, von dem ich noch etwas lernen k\u00f6nnte.<\/p>\n Vage Pl\u00e4ne, ihn in Buffalo aufzusuchen, wurden durch seinen Tod vereitelt. Ich beschlo\u00df, eine Reihe von Jahren nur f\u00fcr mich zu arbeiten, um das Komponieren von Grund auf neu zu lernen und musikalische Ausdrucksformen zu finden, die meinen Intuitionen ganz entsprechen w\u00fcrden. Das zweite Streichquartett war ein erster Schritt auf diesem Weg und zugleich ein Abschied von der Zeit, als jedes neue Werk Feldmans den Wunsch wachrief, so etwas auch machen zu k\u00f6nnen. Eine sklavische Nachahmung Feldmans kam nicht mehr in Frage, wenn auch der starke Einflu\u00df von Feldmans Tonsprache weiterhin wirksam blieb. Helmut Menzler (Violoncello), Adam Weisman (Schlagzeug), Christian von Borries (Fl\u00f6te), Udo Grimm (Klarinette), Kirsten Harms (Violine), Albert Breier (Klavier) [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner admin_label=”Zeile” _builder_version=”3.25″][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_toggle title=”CD Details” admin_label=”Produktdetails \/ Rezensionen – CD NCA” _builder_version=”3.0.95″]In: Positionen 75, Beitr\u00e4ge zur neuen Musik, Mai 2008 (Florian Neuner)<\/strong><\/p>\n Monolithisch steht das Sp\u00e4twerk von Morton Feldman in der musikalischen Landschaft. In Konzertprogramme lassen sich diese St\u00fccke wegen ihrer schieren zeitlichen Expansion schlecht einbauen, ihre Auff\u00fchrungen geraten zu S\u00e9ancen. Aber l\u00e4sst sich an diese radikale Zeitgestaltung ankn\u00fcpfen? Was hie\u00dfe es, weiterzuforschen auf diesem Gebiet?<\/p>\n Nun sind Werke wie das 2. Streichquartett von Morton Feldman ja keine Konzeptkunst und wollen nicht einfach blo\u00df ausloten, was passiert, wenn ein Quartett und seine Zuh\u00f6rer eine so lange Wegstrecke zur\u00fccklegen m\u00fcssen. Sie stehen f\u00fcr ein Komponieren, das Musik ganz neu und auf kompromisslose Weise als Zeitkunst entfaltet und unter diesen Voraussetzungen zu immer wieder neuen Auff\u00e4cherungen und Zeitgestaltungen gelangt. Warum sollte man hier nicht weiterforschen k\u00f6nnen? “Mit der Zeit kann man nicht experimentieren”, schreibt Albert Breier. “Man kann ihr vielleicht eine Falle stellen.” Und wenn man bei eine fast zweist\u00fcndigen Ensemblest\u00fcck wie Breiers Der Weg und die Zeit gleich an Feldman denkt, dann ist das kein Rezeptionsclich\u00e9. Der 1961 geborene Komponist hebt diesen f\u00fcr wichtigsten Einfluss selbst hervor.<\/p>\n Anders als Ernstalbrecht Stiebler, der bei aller N\u00e4he zu Feldman f\u00fcr sein Art, komponierend in Kl\u00e4nge hineinzuh\u00f6ren, dessen zeitliche Expansion nicht ben\u00f6tigt, setzt Albert Breier gerade an diesem Punkt an. Vielleicht lie\u00dfe sich sagen, dass Stiebler Feldman vertikal weiterdenkt, w\u00e4hrend Breier bei den horizontalen Aspekten, eben der Zeitgestaltung ansetzt und versucht, der Zeit Fallen zu stellen. Breier sagt: “Die Zeit ist nie neu. Die Zeit ist immer neu. Daran gleitet die Musik ab.”Und muss sich dabei geduldig auf weite Wegstrecken begeben. Dann wird die Zeiterfahrung der H\u00f6rer irritiert, dann k\u00f6nnen Funken geschlagen werden, die Schlaglichter werfen auf das Ph\u00e4nomen Zeit.<\/p>\n Auch Albert Breiers Musik schreitet langsam und geduldig voran. Sie ist gepr\u00e4gt vom Prinzip der Wiederholung als subtile Abweichung, scheut klangliche Effekte und b\u00fcrstet das Instrumentarium nicht gegen den Strich. Es gibt keine gr\u00f6beren Z\u00e4suren, dynamische Zuspitzungen sind selten, aber h\u00e4ufiger als bei Feldman. Auch ist Breiers Musik insgesamt farbiger, Glocken setzen ganz eigene Akzente, das Ausloten und Umkreisen von Zusammenkl\u00e4ngen erweitert sich oft zu Figurationen. Die Wegstrecke, die der von chinesischem Denken beeinflusste Breier mit seiner Komposition zur\u00fccklegt, f\u00fchrt durchaus wohin. Konrad Reisner spricht im Booklet vom Gef\u00fchl eines “Angekommen-Seins” am Ende. Das ist aber m\u00f6glicherweise schon zuviel gesagt. Das Faszinierende an dieser Musik ist, dass sie auf der Suche bleibt und einen h\u00f6rend daran teilhaben l\u00e4sst. [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″]Hier k\u00f6nnen Sie diese CDs per Vorkasse<\/strong> bestellen. Bitte nutzen Sie dazu das Formular und f\u00fcllen Sie alle Pflichtfelder aus.<\/p>\n Im Anschluss erhalten Sie eine E-Mail mit Angaben zur Bankverbindung und einer Rechnung.<\/p>\n Die CDs werden nach Eingang Ihrer Zahlung versendet.<\/strong> [et_pb_section fb_built=”1″ module_id=”ab-musik” _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Headline – CDs” _builder_version=”3.27.4″] CD Ver\u00f6ffentlichungen [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”ab-produkt” _builder_version=”3.22″][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/albert-breier.de\/media\/produkte\/CD01-02-Breier.jpg” show_in_lightbox=”on” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Bild – CD01 \/ CD02″ _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ admin_label=”Zeile” _builder_version=”3.25″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Titel […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-954","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/pages\/954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/comments?post=954"}],"version-history":[{"count":4,"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/pages\/954\/revisions"}],"predecessor-version":[{"id":2242,"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/pages\/954\/revisions\/2242"}],"wp:attachment":[{"href":"https:\/\/albert-breier.de\/en\/wp-json\/wp\/v2\/media?parent=954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Stefan Drees \/ CD-Rundschau<\/h3>\n
\n[\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”ab-produkt” _builder_version=”3.22″][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/albert-breier.de\/media\/produkte\/CD03-Breier.jpg” show_in_lightbox=”on” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Bild – CD03″ _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ admin_label=”Zeile” _builder_version=”3.25″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Titel \/ Metadaten – CD03″ module_class=”ab-kuenstler-titel” _builder_version=”3.27.4″]Albert Breier<\/p>\nDuo f\u00fcr Violoncello und Klavier II<\/h3>\n
\nAlbert Breier (Klavier)
\n[\/et_pb_text][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Produktnummer \/ Preis – CD03″ module_class=”ab-preis” _builder_version=”3.27.4″]CD 03<\/p>\n10 EUR<\/h3>\n
\n[\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”ab-produkt” _builder_version=”3.22″][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/albert-breier.de\/media\/produkte\/CD04-Mahler-Feldman.jpg” show_in_lightbox=”on” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Bild – CD04″ _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ admin_label=”Zeile” _builder_version=”3.25″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Titel \/ Metadaten – CD04″ module_class=”ab-kuenstler-titel” _builder_version=”3.27.4″ custom_margin=”||1em|” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|phone” custom_padding=”||0px|”]Gustav Mahler<\/p>\nIX. Symphonie (1. Satz)<\/h3>\n
Fassung f\u00fcr Klavier solo von Albert Breier<\/h5>\n
Piano<\/h3>\n
\n[\/et_pb_text][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Produktnummer \/ Preis – CD04″ module_class=”ab-preis” _builder_version=”3.27.4″]CD 04<\/p>\n15 EUR<\/h3>\n
\n[\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”ab-produkt” _builder_version=”3.22″][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/albert-breier.de\/media\/produkte\/CD05-Byrd-Gibbons.jpg” show_in_lightbox=”on” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Bild – CD05″ _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ admin_label=”Zeile” _builder_version=”3.25″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Titel \/ Metadaten – CD05″ module_class=”ab-kuenstler-titel” _builder_version=”3.27.4″]William Byrd \/ Orlando Gibbons<\/p>\nPavans, Galliards & Fantasies<\/h3>\n
\n[\/et_pb_text][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Produktnummer \/ Preis – CD05″ module_class=”ab-preis” _builder_version=”3.27.4″]CD 05<\/p>\n10 EUR<\/h3>\n
\n[\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”ab-produkt” _builder_version=”3.22″][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/albert-breier.de\/media\/produkte\/CD06-Froberger.jpg” show_in_lightbox=”on” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Bild – CD06″ _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ admin_label=”Zeile” _builder_version=”3.25″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Titel \/ Metadaten – CD06″ module_class=”ab-kuenstler-titel” _builder_version=”3.27.4″]Johann Jacob Froberger<\/p>\nLamentation, Tombeau, Zwei Suiten<\/h3>\n
\n[\/et_pb_text][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Produktnummer \/ Preis – CD06″ module_class=”ab-preis” _builder_version=”3.27.4″]CD 06<\/p>\n10 EUR<\/h3>\n
\n[\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”ab-produkt” _builder_version=”3.22″][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/albert-breier.de\/media\/produkte\/CD07-Byrd-Gibbons-Froberger.jpg” show_in_lightbox=”on” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Bild – CD07″ _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ admin_label=”Zeile” _builder_version=”3.25″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Titel \/ Metadaten – CD07″ module_class=”ab-kuenstler-titel” _builder_version=”3.27.4″]William Byrd \/ Orlando Gibbons \/ Johann Jacob Froberger<\/p>\nMusik f\u00fcr Clavier<\/h3>\n
\n[\/et_pb_text][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Produktnummer \/ Preis – CD07″ module_class=”ab-preis” _builder_version=”3.27.4″]CD 07<\/p>\n10 EUR<\/h3>\n
\n[\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”ab-produkt” _builder_version=”3.22″][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/albert-breier.de\/media\/produkte\/CD08-Breier.jpg” show_in_lightbox=”on” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Bild – CD08″ _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ admin_label=”Zeile” _builder_version=”3.25″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Titel \/ Metadaten – CD08″ module_class=”ab-kuenstler-titel” _builder_version=”3.27.4″]Albert Breier<\/p>\nIV. Streichquartett \/ Trio f\u00fcr Oboe, Violoncello und Klavier \/ Trio f\u00fcr zwei Violinen und Klavier<\/h3>\n
IV. Streichquartett (2004)<\/h5>\n
Trio f\u00fcr Oboe, Violoncello und Klavier (1996)<\/h5>\n
Trio f\u00fcr Oboe, Violoncello und Klavier (1996)<\/h5>\n
\n[\/et_pb_text][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Produktnummer \/ Preis – CD08″ module_class=”ab-preis” _builder_version=”3.27.4″]CD 08<\/p>\n10 EUR<\/h3>\n
\n[\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”ab-produkt” _builder_version=”3.22″][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/albert-breier.de\/media\/produkte\/CD09-Breier.jpg” show_in_lightbox=”on” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Bild – CD09″ _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ admin_label=”Zeile” _builder_version=”3.25″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Titel \/ Metadaten – CD09″ module_class=”ab-kuenstler-titel” _builder_version=”3.27.4″]Albert Breier<\/p>\nStreichtrios<\/h3>\n
Schattenwechsel<\/h5>\n
\n<\/strong><\/p>\nTrio f\u00fcr Violine, Viola und Violoncello<\/h5>\n
\n[\/et_pb_text][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Produktnummer \/ Preis – CD09″ module_class=”ab-preis” _builder_version=”3.27.4″]CD 09<\/p>\n10 EUR<\/h3>\n
\n[\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”ab-produkt” _builder_version=”3.22″][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/albert-breier.de\/media\/produkte\/CD10-Breier.jpg” show_in_lightbox=”on” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Bild – CD10″ _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ admin_label=”Zeile” _builder_version=”3.25″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Titel \/ Metadaten – CD10″ module_class=”ab-kuenstler-titel” _builder_version=”3.27.4″]Albert Breier<\/p>\nII. Streichquartett (1988)<\/h3>\n
To the Memory of Morton Feldman<\/h5>\n
Sonar Quartett
\nSusanne Zapf und Wojtek Garbowski (Violine), Nikolaus Schlierf (Viola), Cosima Gerhardt (Violoncello)<\/h5>\n10 EUR<\/h3>\n
\n[\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” module_id=”ab-produkt” _builder_version=”3.22″][et_pb_column type=”1_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/albert-breier.de\/media\/produkte\/CD-NCA-Breier.jpg” show_in_lightbox=”on” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Bild – CD10″ _builder_version=”3.23″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ admin_label=”Zeile” _builder_version=”3.25″ custom_margin=”||0px|” custom_padding=”||0px|”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Titel \/ Metadaten – CD NCA” module_class=”ab-kuenstler-titel” _builder_version=”3.27.4″]Albert Breier<\/p>\nDer Weg und die Zeit<\/h3>\n
f\u00fcr Klavier, Schlagzeug, Violoncello, Violine, Fl\u00f6te und Klarinette<\/h5>\n
\n[\/et_pb_text][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”3_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Produktnummer \/ Preis – CD NCA” module_class=”ab-preis” _builder_version=”3.27.4″]2CD (SACD)<\/p>\n10 EUR<\/h3>\n
Fallensteller: Albert Breiers Zeitkunst<\/h3>\n
\n[\/et_pb_toggle][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.9.0″ hover_enabled=”0″ sticky_enabled=”0″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Headline – Bestellung” _builder_version=”3.27.4″]<\/p>\nAufnahmen bestellen<\/h2>\n
\n
\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_contact_form email=”bestellung@albert-breier.de” success_message=”Vielen Dank. Sie erhalten in K\u00fcrze eine E-Mail mit Informationen zur Bezahlung und zum Versand.” submit_button_text=”Bestellen” admin_label=”Bestellformular” module_id=”et_pb_contact_form_0″ _builder_version=”3.0.95″ title_level=”h3″ form_field_font_size=”16″ custom_button=”on” button_text_size=”16″ button_text_color=”#990000″ button_bg_color=”#f4f4f4″ button_border_color=”#990000″ button_border_radius=”0″ button_use_icon=”off” border_width_all=”2px” border_color_all=”#666666″ button_text_color_hover=”#ffffff” button_bg_color_hover=”#222222″ button_border_color_hover=”#222222″ button_border_radius_hover=”0″][et_pb_contact_field field_id=”Name” field_title=”Vorname \/ Nachname *” _builder_version=”3.16″ button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” 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select_options=”%91{%22value%22:%22CD 01\/02 – A. 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