Life and Work

About Albert Breier

Peter Graham

Music – Image – Poetry

Jaroslav Štastný

Albert Breier and his understanding of the musical form

Albert Breier - Schriftsteller und Komponist

Biography

1961

born at Paderborn

1980 – 1987

student years in Cologne, Hamburg, Lübeck and Vienna
piano with Roland Keller
composition with Jürg Baur
philosophy & musicology
Pianist in concerts with music by Maurizio Kagel’s pupils.
Attends the “Darmstädter Ferienkurse” (1984).

since 1987

Freelance composer and pianist.

1987 – 1993

Cologne

piano
composition
philosophy & musicology
Studies the work of Morton Feldman.
Extensive study of classical Chinese painting, especially of its temporal structure. Connected with this more far-reaching thoughts about cultural theory.

Compositions
“Verbundene Berge” for orchestra;
“Wege des Wanderers” for large chamber orchestra;
Clarinet quintet;
Piano piece V;
Seven poems by Oskar Pastior for soprano and piano;
II. String quartet …

1994 – 2014

 

Potsdam / Berlin

 

piano
composition
philosophy & musicology
Continuation of the study of 15th century vocal polyphony begun in Cologne. Becomes interested in the musical traditions of Russia and Georgia.
Since 1998 develops and puts into practice a new manner of notation.

Compositions
Requiem for 12-voice mixed choir a cappella;
“Feld und Leuchten” for chamber orchestra;
Sonorous Forest of Remembrance for 18 string instruments, bells and Glockenspiel;
Composition for 3 flutes, 3 clarinets and 3 horns;
String sextet;
Piano quartet;
Trio for oboe, cello and piano;
Duo I and II for cello and piano;
Piano piece VI

piano
composition
philosophy & musicology
Concerts in Berlin, activities as pianist, release of CDs at NCA and edition laura. CD production of the work Der Weg und die Zeit at Radio Berlin-Brandenburg, released in 2007.
Since 2000 increasingly active as writer:
Publication of a comprehensive comparative study on Chinese painting and European music “Die Zeit des Sehens und der Raum des Hörens. Ein Versuch über chinesische Malerei und europäische Musik” (Publisher: Verlag J.B.Metzler 2002).
Lectures at Universität der Künste Berlin:
Concerts and lectures among others at the Hochschule für Musik “Hans Eisler” Berlin, at the Goethe-Institut Prague, at the Tage für “Neue Musik Darmstadt”.
piano
composition
philosophy & musicology
Broadcasts about person and work.

Compositions
Mass for 24 voice mixed choir a cappella;
Large Landscape I and III for orchestra;
“Licht im Vorübergehen” for orchestra;
“Nebelatem” for orchestra;
“Der Weg und die Zeit” for sextet;
IV. String quartet;
String trio

Projected books:
comprehensive studies on German poetry of the first half of the 20th century; on the role of mathematics in occidental culture etc. Essays on art theory published in several magazines. Reviews.
Scholar at the Deutsche Akademie Villa Massimo at Casa Baldi (2013).

since 2014

Dresden (until 2019) and Berlin

piano
composition
philosophy & musicology
Publications: “Zahl und Moral. Ein Entwurf” (publisher: Passagen Verlag, Wien 2014); “Walter Zimmermann. Nomade in den Zeiten” (publisher: Wolke Verlag, Hofheim 2014).

Compositions
“Blick auf die schwebende Stadt” for orchestra;
Trio for viola, horn and harp;
Stabat mater for soprano and cello

Biografie

1961born at Paderborn
1980 – 1987 Student years in Cologne, Hamburg, Lübeck and Vienna.
  • Piano with Roland Keller (pianist in concerts with music by Maurizio Kagel’s pupils).
  • Composition with Jürg Baur (attends Darmstädter Ferienkursen 1984).
  • Philosophy and musicology
seit 1987 freelance composer and pianist
1987 – 1993 Cologne
  • Studies the work of Morton Feldman.
  • Extensive study of classical Chinese painting, especially of its temporal structure. Connected with this more far-reaching thoughts about cultural theory.

Compositions
“Verbundene Berge” for orchestra;
“Wege des Wanderers” for large chamber orchestra;
Clarinet quintet;
Piano piece V;
Seven poems by Oskar Pastior for soprano and piano;
II. String quartet

1994 – 2014 Potsdam / Berlin
  • Continuation of the study of 15th century vocal polyphony begun in Cologne. Becomes interested in the musical traditions of Russia and Georgia.
  • Since 1998 develops and puts into practice a new manner of notation.

Compositions
Requiem for 12-voice mixed choir a cappella;
“Feld und Leuchten” for chamber orchestra;
Sonorous Forest of Remembrance for 18 string instruments, bells and Glockenspiel;
Composition for 3 flutes, 3 clarinets and 3 horns;
String sextet;
Piano quartet;
Trio for oboe, cello and piano;
Duo I and II for cello and piano;
Piano piece VI

  • Concerts in Berlin, activities as pianist, release of CDs at NCA and edition laura. CD production of the work Der Weg und die Zeit at Radio Berlin-Brandenburg, released in 2007.
  • Since 2000 increasingly active as writer: Publication of a comprehensive comparative study on Chinese painting and European music “Die Zeit des Sehens und der Raum des Hörens. Ein Versuch über chinesische Malerei und europäische Musik” (Publisher: Verlag J.B.Metzler 2002).
  • Lectures at Universität der Künste Berlin.
  • Concerts and lectures among others at the Hochschule für Musik “Hans Eisler” Berlin, at the Goethe-Institut Prague, at the “Tage für Neue Musik Darmstadt”.
  • Broadcasts about person and work.

Compositions
Mass for 24 voice mixed choir a cappella;
Large Landscape I and III for orchestra;
“Licht im Vorübergehen” for orchestra;
“Nebelatem” for orchestra;
“Der Weg und die Zeit” for sextet;
IV. String quartet;
String trio

  • Projected books: comprehensive studies on German poetry of the first half of the 20th century; on the role of mathematics in occidental culture etc.
  • Reviews and essays on art theory published in several magazines.
  • Scholar at the Deutsche Akademie Villa Massimo at Casa Baldi (2013).

Seit 2014 Dresden (until 2019) and Berlin

  • Publications: “Zahl und Moral. Ein Entwurf” (publisher: Passagen Verlag, Wien 2014); “Walter Zimmermann. Nomade in den Zeiten” (publisher: Wolke Verlag, Hofheim 2014).
  • In Progress: Book about Leos Janácek

Compositions
“Blick auf die schwebende Stadt” for orchestra;
Trio for viola, horn and harp;
“Stabat mater” for soprano and cello;
“Himmelsstufen” for flute, clarinet, violin, viola, cello and percussion;
“Chant d’en haut” for flute, clarinet and violin;
“Salve Regina” for soprano and cello;
“INNSBRUCK” for alto and string orchestra
“Landscape III” for orchestra
etc.